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Welcome to Southern Fog
Thank you for visiting Southern Fog.
As a Southern writer, I am most eager to read and critique what my peers have written, but this site is open to writers from anywhere.
If you have something you believe is brilliant and deserves to be published, please submit it here. Those pieces will be published on the main page.
If you are looking for feedback on ideas, stories, etc., please post in the forums.
The goal of Southern Fog is to create an online literary community where writers help one another succeed.
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Posted by LaneC on Monday, January 07 @ 20:57:22 CST (61 reads) Topic Poetry
| so you want to be a writer? by Charles Bukowski
if it doesn't come bursting out of you in spite of everything, don't do it. unless it comes unasked out of your heart and your mind and your mouth and your gut, don't do it. if you have to sit for hours staring at your computer screen or hunched over your typewriter searching for words, don't do it. if you're doing it for money or fame, don't do it. if you're doing it because you want women in your bed, don't do it. if you have to sit there and rewrite it again and again, don't do it. if it's hard work just thinking about doing it, don't do it. if you're trying to write like somebody else, forget about it.
if you have to wait for it to roar out of you, then wait patiently. if it never does roar out of you, do something else.
if you first have to read it to your wife or your girlfriend or your boyfriend or your parents or to anybody at all, you're not ready.
don't be like so many writers, don't be like so many thousands of people who call themselves writers, don't be dull and boring and pretentious, don't be consumed with self- love. the libraries of the world have yawned themselves to sleep over your kind. don't add to that. don't do it. unless it comes out of your soul like a rocket, unless being still would drive you to madness or suicide or murder, don't do it. unless the sun inside you is burning your gut, don't do it.
when it is truly time, and if you have been chosen, it will do it by itself and it will keep on doing it until you die or it dies in you.
there is no other way.
and there never was.
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On Dialogue Posted by LaneC on Friday, November 30 @ 18:18:03 CST (107 reads) Topic Writing Help
| I frequent several writing sites and belong to a writers' circle. On of the things I notice most often with writers is flat dialogue. This short essay cannot possibly cover all the nuances of writing dialogue, but hopefully, it will give you some pointers for your fiction.
Bill and John stand alone in a garage. "Hey, Bill, what are you doing?" John asked loudly. "I'm building an arc, John." Bill replied flatly. "Hasn't that been done already, Bill?" John laughed riotously. "Yes, it has, but this one is different, John," Bill stated energetically. "How is it different, Bill?" "This arc will also fly to the moon, Bill."
Now, hopefully, everyone can see the various places this dialogue fails. For starters, two people alone in a room don't generally refer to each other by name, especially more than once. They both know to whom they are speaking. They also know they are being addressed. Often times, new writers throw in names because they are afraid the reader will get lost. Usually, though, they do this when there aren't tags following the line such as the last two lines of dialogue. It is as if the author is afraid the reader is too dim to follow the dialogue. If your dialogue is that confusing, you have greater problems than who is speaking.
Second, the adverbs are overdone. Use them with caution. When too many are used, they lose their effectiveness as can be seen above. Most published authors who offer advice on the subject have the same thing to say about adverbs in dialogue. Don't use them. Some say Never use them, others say rarely use them.
Here are some tips for improving your dialogue...
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Five Reasons I need an Agent Posted by LaneC on Monday, November 26 @ 17:22:14 CST (58 reads) Topic
| 1. I hate rejection. I would rather not have to face the flurry of "Thank you, but" letters.
2. I love writing. I am usually a prolific writer--or what I consider prolific. I can write 100-120k words in six to eight weeks...if I don't focus all my free time on my day job. If I am busy writing query letters to editors and publishers, it cuts from my writing time.
3. I don't know squat about contracts a publisher would send. I could learn. I enjoy reading Supreme Court rulings and the law in my spare time, but why bother?
4. Nobody in Los Angeles knows my name. I would go as far to say in 99.9% of all cities nobody knows my name. Because of this, most larger publishing houses will not even look at a proposal from me. I could write better than the love child of Stephen King and Dean Koontz's minds, but that doesn't matter if I do not have their names. Large houses only take agented queries.
5. I hate being ripped off. A publisher's job is to buy as many rights for as little as possible. Presumably, an agent will command a better deal and more than pay for that 15% she receives.
And there you have it--five simple reasons why I (and most modern writers) need an agent.
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Dreams Like a River Posted by LaneC on Wednesday, November 21 @ 05:49:43 CST (67 reads) Topic Editorial
| For each of us, there are those dreams like a river. Some of us build rafts and float upon them like modern day Huck Finns, others allow the beavers of daily routine to build dams from bank to bank. The good thing about a river, though, is that its power cannot be contained for long. Eventually, it will gather enough force to crash through the rickety structure blocking it or it will build up enough water to spill over the obstruction. For the latter, only portions of the dream ever materialize.
For me, that river is writing. Since I was seven years old, I have dreamed of being a writer. At that time, I wrote short stories and poetry, hacking away at a typewriter, clacking out page after page and filling countless spiral notebooks with verse. In high school, the muse stood behind me, rubbing my neck with one hand while holding a whip in her other. I wrote more profusely, albeit poorly (by my contemporary standards). It was the usual rhyming drivel mimicking the sentiments of Hallmark cards while employing the archaic language of poets gone centuries before.
In college, the muse brought a friend and they tag-teamed me. One held a whip, the other a baseball bat with nails pounded through at various angles. I had no choice but to write. The three of us skimmed across the water on my small, rectangular raft. It was during that extended period in undergraduate studies (yes, very extended), that I wrote my first novel--a series of intermingled short stories that told a greater story. Then came novel number two. All the while, I churned out poetry. Not the stuff I excreted in high school, but genuine, thought-provoking, musical poetry that held captive the audiences of several local open mics.
While working on my masters, I finished novels three, four, five, and six. Four and five were religious novels written with my parents in mind. Six was a vampire novel. But it wasn't your ordinary bloodsucker novel. It was more the story of characters and their problems. It just happened that some were vampires. What they faced differed little from what each of us faces every day. Like everyone, they found themselves struggling with the battle between mind and body, soul and material.
During this time, I also wrote several volumes of poetry, experimenting with form until I created something I enjoyed mastering.
And then I graduated. It was at that time the beavers started working. Hundreds of furry little paddle-tailed critters labored feverishly to gnaw down trees and lay them across the river. The raft slowed. The muses whipped and beat, but the bossman was an octopus. Not only did he have a couple of whips and a larger bat with bigger nails, but he also had a hatchet, a sledge hammer, a pistol, and a shiv--no doubt taken from a previous inmate. He knocked the muses into the water, where they drifted behind the raft until, finally, we all came to rest at the edge of the dam.
Bossman took a wife and moved her onto the raft. Then they had a couple of children. The four of them had seven weapons each with which they attacked me continuously for nearly eight years. From the water, the muses kept one hand on the logs of my raft, clinging for life. The seven of us hovered there, sometimes spinning slowly in the wind, other times not moving at all.
Unable to stand it anymore, I kicked the bossman in his bulbous head and stole his sledgehammer. When I bashed the beavers' dam, limbs and leaves gave way with a loud crack! At first, only a ribbon of water tore through their abode, but then it widened, cutting through like a growing saw. Finally, the tension broke. Both halves of the dam swung upon like double doors and the water flooded through. The sudden jerk of motion caught bossman and his family off guard and they all fell into the water as my raft lurched forward. I grabbed the muses and helped them up as we sped down the river.
Along came multiple short stories and novel number seven. It is this novel which I am finally trying to publish. As my muses and I rip over the rushing current, I am scouring the banks and other rafts for an agent. Fortunately, bossman dropped his pistol, so I can take pot shots at every beaver I see. My river flows unobstructed--I wonder where it will take me.
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The Query Letter (10 Basic Tips) Posted by LaneC on Sunday, November 18 @ 17:26:58 CST (87 reads) Topic Writing Help
| Of everything you will do as a writer, the query letter is probably the most important. Some may scoff that their work is more important, but I disagree. Here's why. No matter how great your story or novel is, if no one reads it, it will never be published. Think of Emily Dickinson. She was not known until after she died.
There are several things your query letter must do.
1. First and foremost, though this should go without saying, I will say it. Your query letter should follow the guidelines set by the person you are approaching. If she says no more than one page, she means no more than one page.
2. Address the appropriate person. Most agents and editors say they will discard letters which are addressed in a generic manner. In other words, "Dear Sirs," is incorrect--especially if a lady is reading the letter.
3. Hook your person immediately. Imagine you met 300 people per day and you were allowed to talk only to two of them. Would you rather talk to the person who says, "I don't know what to say," or the one who says, "After almost being shot on the way over, I am elated to be here"? The former doesn't sound like an interesting person, while the latter appears to have a fascinating tale about his journey to see you. Keep that in mind while writing your query.
4. Give the genre and word count. Word count is an approximate. For short stories, round to the nearest 100. For novels, round to the nearest 1,000. So, a short story of 533 words would be 500 words while a novel of 99,879 words would be 100,000 words.
5. Briefly describe your manuscipt. In a paragraph or two, tell what it's about.
6. Make appropriate comparisons. You do not have to do this, but if you write a book similar in Judy Bloom's The cat That Ate My Gym Suit, then say it. This will let the agent or publisher know what the intended market is. DO NOT say it is like the above title if it is not. If you don't have a comparison, leave it out.
7. List your credits. If you have been published, received awards, have an MFA, mention it. Some places may hurt your credibility. If you were published on Sloppy Joe's We Publish Everyone.com webzine, you may want to leave that out. Make sure what you mention are places with quality material.
8. Have an appropriate close. Ask if you can send more (for novels) or simply say you look forward to a response and let it go. They should be signed "Sincerely" or "Respectfully."
9. Include your information. Many agents and editors say they read some things that interest them, but the person neglects to put contact information in the query package. Always include a SASE (Self Addressed Stamped Envelope) if querying by snail-mail. If you query by e-mail, make sure all of your information including address, phone number, and email address are in the header or signature.
10. Follow the directions. This may sound like #1 and it is similar, but here I mean for the query package. If the agent asks for a query and the first three pages, do not send five pages because the action starts on page four. If your action starts that late, you are in trouble already. Send only what is asked for, nothing more and nothing less.
A few DO NOTs:
Do not ramble. Say what you must say and get on with it.
Do not talk about people who read it. Yes, your mother and sister thought it was wonderful. Big deal. Unless the person you are querying knows your mom and sister, leave them out. The exception is if Stephen King read it and wrote you a letter talking about how great it was. You can include information like that.
Do not rely on gimmicks. Don't spray it with perfume, dip it in LSD, draw pretty little flowers on it or anything else. If your manuscript requires a gimmick to have it read, it probably requires work as well.
Do not discuss rejections. If you have been rejected by 461 others, keep that to yourself. Why give the reader a reason to reject you solely based on someone else's opinion?
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II from lost Posted by LaneC on Sunday, November 18 @ 15:39:15 CST (49 reads) Topic Poetry
| she was warm an cool smilin beneath a pair a shades that highlighted just how close she could sometimes be when she would reach up with one lily soft hand an flip those glasses into her auburn hair
on those moments i dont believe sunlight could have beaten her from there
to here.
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in a second it was over Posted by LaneC on Sunday, November 18 @ 15:35:16 CST (59 reads) Topic Poetry
| in a second it was over-- her eyes widened an her head slumped over in my arms in a second i passed from found to lost as the sea of life tossed an beat the hell outta my hull. a hull-- that was all that remained-- the shell that still smelled of the bitter apple shampoo i washed her hair with only a few hours before. O-- Time! you destructive creature slowly building an swiftly tearin down!
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She is all the time Posted by LaneC on Sunday, November 18 @ 15:32:31 CST (56 reads) Topic Poetry
| She is all the time harvesting the fields of my mind tearing the wheat from the tares–
she is brightly consuming; engulfing; raging through silent eyes– eyes which are mute eyes which pantomime desperation in a shrinking box– eyes which beat against the pavement like a yellow jackhammer.
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sarah Posted by LaneC on Sunday, November 18 @ 15:29:16 CST (54 reads) Topic Poetry
| her hair on my shoulder weighed more than the kisses she dropped upon my sunburned neck.
ah- her eyes!
blacker than her hair
deeper than the night we sat beside the river watching the frost of our breath drift upward toward the crisp stars too cold to twinkle.
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